/LMAR=0/XLINE=10/FONT#0=METL/FONT#1=METLI/FONT#2=METS/FONT#3=MUS[HHA,LCS]/FONT#4=FIX30/FONT#5=BASL35
␈↓ α≠␈↓␈↓ ε.56␈↓ 
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␈↓"β␈↓ α≠␈↓␈↓ ¬dCHAPTER V


␈↓"β␈↓ α≠␈↓␈↓ ∧pEXTENDED TONICIZATION

␈↓"β
␈↓"β␈↓ α≠␈↓Added Levels of Tonic Function

␈↓"β␈↓ α≠␈↓␈↓ α{ Almost␈αby␈αdefinition,␈αmusic␈αof␈αthe␈αtonal␈αera␈αdepends␈αon␈αthe
␈↓ α≠␈↓listener's␈α∪strong␈α∩memory␈α∪of␈α∪a␈α∩basic␈α∪tonic.␈α∪ The␈α∩basic␈α∪tonic␈α∪is␈α∩a
␈↓ α≠␈↓cohesive␈α
force␈α
which␈α
sets␈α
limits␈α
and␈α
acts␈α
as␈α
a␈α
reference␈α∞point␈α
for
␈↓ α≠␈↓all␈α↔types␈α↔of␈α↔harmonic␈α↔movement.␈α↔ Even␈α↔␈↓↓modulation␈↓␈α↔within␈α↔a
␈↓ α≠␈↓movement␈α⊃never␈α⊃really␈α⊃destroys␈α⊂this␈α⊃reference␈α⊃point;␈α⊃it␈α⊂merely
␈↓ α≠␈↓sets␈α⊂up␈α⊂a␈α⊂foremost␈α⊂subsidiary␈α⊂point.␈α⊂ When␈α⊂␈↓↓tonicization␈↓␈α⊂becomes
␈↓ α≠␈↓greatly␈α∃extended,␈α∃the␈α∃same␈α∀effect␈α∃is␈α∃produced␈α∃on␈α∃a␈α∀somewhat
␈↓ α≠␈↓smaller␈α∂scale.␈α⊂ The␈α∂difference␈α⊂between␈α∂extended␈α⊂tonicization␈α∂and
␈↓ α≠␈↓modulation␈α∩lies␈α∩in␈α∩the␈α∩role␈α∩the␈α∩particular␈α∩passage␈α∩is␈α∩playing␈α⊃in
␈↓ α≠␈↓relation␈α⊂to␈α⊂the␈α⊂whole.␈α⊂ There␈α⊂is␈α⊂much␈α⊂music␈α⊂wherein␈α⊂these␈α⊂two
␈↓ α≠␈↓concepts␈αtend␈αto␈αoverlap,␈αbut␈αin␈αthe␈αmain,␈αcomposers␈αof␈αthe␈αmusic
␈↓ α≠␈↓here␈αunder␈αconsideration␈αhave␈α
been␈αso␈αintent␈αupon␈α
formal␈αclarity
␈↓ α≠␈↓that␈α"the␈α"dependent␈α"character␈α"of␈α"tonicization,␈α#even␈α"when
␈↓ α≠␈↓extended, is maintained.

␈↓"β␈↓ α≠␈↓␈↓ α{ This␈α∞important␈α
facet␈α∞of␈α
tonal␈α∞music␈α
may␈α∞be␈α∞represented␈α
by
␈↓ α≠␈↓␈↓↓added␈α∂levels␈α∂of␈α∂tonicization␈↓␈α∂in␈α∞the␈α∂middle␈α∂area␈α∂of␈α∂the␈α∞analytical
␈↓ α≠␈↓diagram.␈α∃ These␈α∃added␈α∃levels␈α∀occur␈α∃when,␈α∃␈↓↓within␈↓␈α∃a␈α∀␈↓↓temporary␈↓
␈↓ α≠␈↓tonic␈α
area,␈α
again␈α∞a␈α
new␈α
tonic␈α
is␈α∞approached.␈α
 A␈α
simple␈α∞example␈α
of
␈↓ α≠␈↓this␈α→follows.␈α~ The␈α→basic␈α~key␈α→of␈α~␈↓&C␈↓)αβ␈α→is␈α~understood␈α→to␈α~be␈α→well
␈↓ α≠␈↓established both before and after the example.
␈↓"β
␈↓"β␈↓ α≠␈↓Example 59
␈↓"β␈↓ α≠␈↓␈↓ βd␈↓¬⊂⊗⊃L[%0.00,%-1.42]:N59X.PLT[HHA,LCS]⊂⊗⊃␈↓
␈↓ α≠␈↓␈↓ ε.57␈↓ 
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␈↓"β
␈↓"β␈↓ α≠␈↓Figure 59a
␈↓"β␈↓ α≠␈↓␈↓ βd␈↓¬⊂⊗⊃L[%0.04,%-1.20]:N59A.PLT[HHA,LCS]⊂⊗⊃␈↓






␈↓"β␈↓ α≠␈↓␈↓ α{ The␈α␈↓&D␈↓)αβ␈αarea␈αat␈α
(xx)␈αappears␈αin␈αdirect␈αrelationship␈α
only␈αwith
␈↓ α≠␈↓the␈α∪␈↓&G␈↓)αβ␈α∪(or␈α∪tonicized␈α∪V)␈α∪area.␈α∪ Even␈α∪though␈α∪every␈α∪numeral␈α∩that
␈↓ α≠␈↓appears␈α⊃in␈α⊃the␈α⊃middle␈α⊃area␈α⊃of␈α⊃an␈α⊃analysis␈α⊃is␈α⊃␈↓↓understood␈↓␈α⊃to␈α∩be␈α⊃a
␈↓ α≠␈↓tonic␈α⊃(i.e.,␈α∩working␈α⊃as␈α∩a␈α⊃"I"),␈α∩a␈α⊃new␈α∩I␈α⊃is␈α∩placed␈α⊃under␈α∩the␈α⊃first
␈↓ α≠␈↓presentation␈α∪of␈α∀V␈α∪as␈α∪a␈α∀tonic␈α∪in␈α∪order␈α∀that␈α∪the␈α∪interval␈α∀of␈α∪the
␈↓ α≠␈↓subsequent␈α⊃movement␈α⊂to␈α⊃␈↓&D␈↓)αβ␈α⊃(i.e.,␈α⊂the␈α⊃dominant␈α⊂relation␈α⊃to␈α⊃␈↓&G␈↓)αβ),␈α⊂is
␈↓ α≠␈↓readily␈α#apparent.␈α# Similarly,␈α$another␈α#I␈α#appears␈α$when␈α#the
␈↓ α≠␈↓progression␈α
returns␈α
to␈α
␈↓&G␈↓)αβ␈α
as␈α
the␈α
tonic.␈α
 In␈α
the␈α
previous␈α
example␈αit
␈↓ α≠␈↓will␈α⊃be␈α⊃noted␈α⊃that␈α⊃the␈α⊃tonicized␈α⊃␈↓&D␈↓)αβ␈α⊃was␈α⊃specifically␈α⊃major.␈α⊂ This
␈↓ α≠␈↓new␈α
I␈α
contains␈α∞F␈↓βS␈↓␈α
--␈α
not␈α
a␈α∞functional␈α
probability␈α
in␈α
terms␈α∞of␈α
the
␈↓ α≠␈↓original ␈↓&C␈↓)αβ, but completely compatible with the ␈↓&G␈↓)αβ scale.

␈↓"β␈↓ α≠␈↓␈↓ α{ This␈α
may␈α
be␈α
made␈αeven␈α
more␈α
clear␈α
if␈αwe␈α
set␈α
up␈α
what␈αwill␈α
be
␈↓ α≠␈↓called␈α␈↓↓tonic␈αguide␈αtones␈↓.␈α These␈αrepresent,␈αin␈αmusical␈αnotation,␈αthe
␈↓ α≠␈↓elements that appear in the middle area of the analysis.
␈↓"β
␈↓"β␈↓ α≠␈↓Figure 59b
␈↓"β
␈↓"β␈↓ α≠␈↓␈↓ βf␈↓¬⊂⊗⊃L[%0.00,%-1.60]:N59B.PLT[HHA,LCS]⊂⊗⊃␈↓